Virtuelle Ausstellung: Das süße Lesen - Welcome to the World of Books! -Virtual cartoon exhibition, Dortmund.
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| Brain tonic |
schauraum: comic + cartoon Max-von-der-Grün-Platz 7 44137 Dortmund
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The exhibition, which will include 45 works of 45 cartoon artists
from 24 countries, will open on Saturday, June 22 at 20.00 at Sinop
Municipality Sabahattin Ali Cultural Center and will last for two days…
The exhibition is organized with the contributions of Sinop Writers,
Poets and Artists Association, Cartoon Home Network International, and
cartoon artists It is realized in collaboration with Aşkın Ayrancıoğlu…
The exhibition also includes the works of Palestinian illustrators.
Palestinian female cartoonist Safaa Odah, whose work is included in the
exhibition, lives in the Rafah region bombed by Israel and her life is
still in danger. |
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| L'association Le Crayon, Partenaire de l'événement
"Libérons les crayons !" Exposition itinérante : Ramatuelle (83) 30 avril – 12 mai 2024 Dans le cadre du
programme « Les chemins de la République », Vernissage le mercredi 1er mai 2024 à 18h 30 à Ramatuelle (83). • Du Lundi au vendredi : 10h/13h – 14h/18h • Samedi : 14h/18h Dimanche : 10h/13h Une exposition en partenariat avec l'association FRANCE-CARTOONS. PAR ORDRE ALPHABÉTIQUE : ILS ET ELLES SONT 252 À AVOIR RÉPONDU PRÉSENT À L’APPEL DU CRAYON : |
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L'association Le Crayon (https://lecrayon.net/), Partenaire de l'événement "Libérons les crayons !" à Toulouse 8 janvier 2024 Dans le cadre du programme « Les chemins de la République », le Conseil départemental de la Haute-Garonne Tourisme en partenariat avec la Fondation Jean Jaurès, Charlie Hebdo, Le Crayon et Cartooning for Peace – organise une soirée de débats et de dessins pour rappeler l’importance fondamentale du dessin de presse et de la liberté d’expression dans nos démocraties chancelantes. Table-ronde "Pourquoi dessin de presse, liberté d’expression et démocratie sont-ils indissociables ?" - 8 janvier à 19h, au Pavillon République (1, bd de la Marquette, Toulouse) - Avec : Laure Daussy (journaliste reporter à Charlie Hebdo), Françoise Degois (journaliste à Sud Radio), Alexandre Faure (président de Le Crayon), les dessinateurs Pierre Samson, Jiho, Jérôme Sié, la dessinatrice Cristina Sampaio et Patrick Lamassoure alias Kak, président de Cartooning for Peace. Modération : David Medioni, Directeur de l’Observatoire des médias à la Fondation Jean Jaurès. Exposition « Au bout du crayon : liberté d’expression et censure (Caricatures et dessins de presse) 252 dessinateurs et dessinatrices de presse du monde entier s’engagent pour la liberté d’expression. Une exposition en partenariat avec FRANCE-CARTOONS Link: https://lecrayon.net/au-bout-du-crayon-liberte-dexpression-et-censure-caricatures-et-dessins-de-presse-exposition-itinerante/ https://www.facebook.com/associationlecrayon PAR ORDRE ALPHABÉTIQUE : ILS ET ELLES SONT 252 À AVOIR RÉPONDU PRÉSENT À L’APPEL DU CRAYON :Adene (France- Espagne) – A.F. Ali Fuat Süer (Turquie) – Akdad Saydut (Turquie) – Alf (France) – Ali Ghanaat (Iran) – Ameen Alhabarah (Arabie Saoudite) – Amorim (Brésil) – Ann Telnaes (États Unis d’Amérique) – António Antunes (Portugal) – Antoms (Cuba) – Ares (Cuba) – Asier Sanz (Espagne) – Assad Bina Khahi (Iran) – Athos Careghi (Italie) – Aytoslu (Turquie) – Babouse (France) – Bado (Canada) – Ballouhey (France) – Barrigue (Suisse) – Battì (France) – Battistini (France) – Belkhamsa Chedly (Tunisie) – Bélom (France) – Bénédicte (Suisse) – Berth (France) – Bhandare Kamat Smitha (Inde) – Biz (France) – Bo Bojesen Niels (Danemark) – Boligan (Angel Cuba – exilé au Mexique) – Bosc (France 1924-1973) – Brady (Cuba) – Brandan Reynolds (Afrique du sud) – Brito (Portugal) – Brunel Roger (France) – Burki (1949 – 2016) (Suisse) – Caffa (France) – Cakmak Huseyin (Chypre) – Cambon (France) – Cath’ Cointe (France) – Cécile Bertrand (Belgique) – Chappatte (Suisse) – Charmag (France) – Chenez (France) – Chouba (France) – Christian (France) – Ciro (Italie) – Clou (Belgique) – Constantin Pavel (Roumanie) – Corne (Argentine) – Cost (Belgique) – Côté (Canada) – Creseveur (France) – Cristina Bernazzani (Italie) – Cristina Sampaio (Portugal) – Dale Cummings (Canada) – Dany Duel (Argentine) – Daullé (France) – David Evžen (Tchéquie) – De Angelis (Italie) – Decressac (Belgique) – Delambre (France) – Devo (France) – Dimier Bernard (France) – Dimitris Georgopalis (Grèce) – Doizy Guillaume (France) – Liza Donnelly (États-Unis d’Amérique) – Donga (Brésil) – Donnelly Liza (États-Unis d’Amérique) – Doriano Strologo (Italie) – DubovskyI Alexander (Ukraine) – Duel Dany (Argentine) – Dupé (France) – Dusault (France) – Ebert Enrico Bertuccioli (Italie) – Ehsan Ganji (Iran) – Elena Ospina (Colombie) – Elgon (Italie) – Ermengol Tolsà Badia (Espagne) – Fadi ToOn (Palestine – Syrie – Norvège) – Falco (Cuba) – Faujour (France) – Fey (France) – Firoozeh Mozaffari (Iran) – Firuz Kutal (Turquie – Norvège) – Gab (France) – Gatis Šļūka (Lettonie) – Gianlo (Italie) – Gio (Italie) – Giusy Acunzo (Italie) – Glez (Burkina-Faso) – Grigori Katz (Israël) – Gros (France) – Hachfeld (Allemagne) – Halis Dokgöz (Turquie) – Haro Luis Domínguez (Uruguay) – Hassan Karimzadeh (Iran) – Hédrich (France) – Honoré (France 1941 – 2015) – Honoré Bonnet (France) – Ilya Katz (Israel) – Ismail Kar (Turquie) – Izabela Kowalska-Wieczorek, alias I.K.W. (Pologne) – Izel Rozental (Turquie) – Jabar Saber (Irak) – Jac L (France) – Jak (France) – Jancry (France) – Jannoel (France) – Jawad Morad (Syrie – Irak) – Jean Gouders (Pays-Bas) – Jean-Denys Phillipe (France) – Jiaruijun (Chine) – Jiho (France) – Jipé (France) – Khabali Ahmed (Maroc) – Kader Lacann (Burkina Faso) – Kahu (France) – Kak (France) – Kap (Espagne) – Karry (Pérou) – Kate (France) – Kazanchev (Ukraine) – Kazanevsky Vladimir (Ukraine exilé en Slovaquie) – Kichka Michel (Israël) – Kripto Pablo (Argentine) – Kristian (France) – Krokus (France) – Kroll (Belgique) – L’Andalou (Algérie – Canada) – LAP’ (France île de La Réunion) – L.P. Paolo Lombardi (Italie) – L’Âne noir (France) – Lardon (France) – Lasserpe (France) – Le Celte (France) – Le François (France) – Li Kui Jun (Chine) – Liniger (France) – Loup (1936-2015) (France) – Luc B. (France) – Lu© Vernimmen (Belgique) – Luczynski Slawomir (Pologne) – Lupo (France) – Man (France) – Mana Neyestani (Iran – France) – María Verónica Ramírez (Argentine) – Marian Avramescu (Roumanie) – Marie Plotena (République Tchèque) – Marina Bondarenko (Russie) – Marlene Pohle (Argentine) – Martirena (Cuba) – Mate (Matías Tejeda) (Argentine) – Mellana Claudio (Italie) – Menekse çam (Turquie) – MES (Makhmudjon Eshonkulov) (Ouzbékistan) – Micaël (France) – Michel Roman (France) – Mihai Boboc (Roumanie) – Milan Alašević (Slovaquie) – Million (France) – Milorad Rankov (Serbie) – Mira (Canada) – Mix & Remix (1958 – 2016) (Suisse) – Momot Valerii (Ukraine) – Monireh Ahmadi (Iran) – Mümin Bayram (Turquie) – Murat Yilmaz (Turquie) – Musa Kart (Turquie) – Musa Gümüs (Turquie) – Mykaia (France) – Nahid Maghsoudi (Iran) – Nalair (France) – Nardi Marilena (Italie) – N.C. Nicolas Caldier (France) – Nicocomix (Italie) – Noder (France) – NoTTo (France) – Oguz Gürel (Turquie) – O.J. (Belgique) – Oleg Gutsol (Ukraine) – Ömer Çam (Turquie) – Osval (Cuba) – Paco Baca (Mexique) – Pesso (France) – Phil (France) – Pichon (France) – Piero Sandano (Italie) – Piet (France) – Pijet (Canada) – Pinter Patrick (France) – P. Jamiol (États-Unis-d’Amérique) – Placide (France) – Plantu (Fran – Plop & Kankr (France) – PoL (Australie) – Pongi Sylvain (France) – Rainer Ehrt (Allemagne) – Ramsés (Cuba) – Ray Clid (France) – Rayma (Venezuela) – Rémi Malin grëy (France) – Renault Jean-Michel (France) – Richard Nagy (France) – Roar Hagen (Norvège) – Rodriguez Garcia (Antonio) (Mexique) – Rousso (1937 – 2021) (France) – Saad Hajo (Syrie – réfugié en Suède) – Saba’aneh Mohammad (Palestine) – Saman Torabi (Iran) – Samson Pierre (France) – Sanaga (France) – Santiago (Brésil) – Seb Sébastien Chevriot (France) – Sergei Drozdov (Russie) – Serpil Kar (Turquie) – Shmidt Alexander (Russie) – Sié (France) – Silviu Bartis (Roumanie) – Singer Andy (États-Unis d’Amérique) – Sondron (Belgique) – Soulcié (France) – Swaha (Liban) – Swen (Suisse) – Takjoo J.J. (Iran) – Thomi (France) – Tignous (1957 – 2015) (France) – Tomaso Marcolla (Italie) – Trax (France) – Trojano Lucio (Italie) – Truant (France) – Tunceri Cemal (Chypre) – Uber (Italie) – Vargas Vilma (Équateur) – Vat (Tony Tasco alias) (Belgique) – Veesse (France) – Victor Bogorad (Russie) – Viktor Holub (Ukraine) – Vince (France) – Vincent L’Epée (Suisse) – Vlaber (Lithuanie) – Vladimir vasiliev (Russie) – Vranckx (France) – Wan (France) – Wesam Khalil (Égypte) – Wilber Chavarría Centeno (Nicaragua) – Wingz (France) – Yazdani Mahnaz (Iran) – Ysope (France) – Zap (France) – ZB (Emad Hajjaj alias) (Jordanie) – Zhao Yun Sheng (Chine) |
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| Nella mostra virtuale in Max-von-der-Gründ-Platz a Dortmund (https://www2.dortmund.de/de/freizeit_und_kultur/museen/schauraum_comic_cartoon/startseite_schauraum/index.html) , lo spazio espositivo presenta 52 cartoons provenienti da tutto il mondo sull'intelligenza artificiale. La rassegna, che si può vedere sulla piattaforma online YouTube (https://www.youtube.com/watch?v=JJPMLQnDrPw), riguarda anche la questione di quanto sia divertente l'intelligenza artificiale stessa. "Chi è più forte? Chi può staccare la spina..." recita ad esempio il cartoons "Showdown". Nei loro lavori, 30 disegnatori provenienti da 17 paesi riflettono sulle sensibilità e le riserve dell'opinione pubblica in materia di "IA". Allo stesso tempo, le opere in mostra sono un monito e un avvertimento ad assumersi la responsabilità morale-etica e a sottoporre l'IA al controllo assoluto degli esseri umani nel tempo. La mostra comprende anche cinque cartoons creati da una IA grafica e contrassegnati con i nomi di artisti immaginari. Quali cartoons sono realizzati da umani e quali no? Alla fine della mostra virtuale, che sarà visibile fino all'11 marzo 2024, ci sarà la rivelazione. |
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252 dessinateurs et dessinatrices de presse, du monde entier, s’indignent, s’interrogent et réveillent les consciences. Une exposition en partenariat avec l'association FRANCE-CARTOONS et présentée dans le cadre du Festival du Livre de Mouans-Sartoux 6 - 7 & 8 octobre 2023 |
Cartoon exhibition at The Hague city hall
From March 28 until April 3, you can visit our exhibition titled Peace & Justice in the atrium of the city hall of The Hague. The exhibition is made in partnership with the City of The Hague and the Ministry of Foreign Affairs of the Netherlands and features cartoons from all over the world about freedom, democracy, peace and justice.
Link: https://twitter.com/HagueJusticeWK https://twitter.com/HagueJusticeWK/status/1640250954439172096?cxt=HHwWgIC9na_jq8MtAAAA
Exposition & Table-ronde: "Dessiner la guerre et la paix. Un dessin pour mille mots."
L’exposition reste visible jusqu’au mois de juin 2023.
Le Labo’ Démocratique (association à but scientifique) et Al-Fehriya (projet culturel et pédagogique de l’Université Mahmoud el Materi) lancent le vendredi 10 mars 2023, à 17H00, une riche exposition de caricatures et de dessins de presse autour du thème DESSINER LA GUERRE ET LA PAIX. UN DESSIN POUR MILLE MOTS.
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| Children and war |
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Médiathèque Sainte-Maxime:
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Caricatures, dessins de presse et liberté d'expression présentés par l'association LE CRAYON. Entre réalité et émotion, entre murs et barbelés, où est notre humanisme ? 252 dessinateurs de presse, caricaturistes, se sont exprimés sur le sujet et ont répondu à cette question à leur façon. Ils vous proposent leur regard sur l'immigration. VERNISSAGE : MARDI 7 MARS À 18h30 EXPOSITION DU 14 AU 18
MARS Mèdiathéque Sainte-Maxime: https://sainte-maxime-pom.c3rb.org/agenda/a-venir/244-exposition-migrants-mars-2023
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One year of the war in Ukraine, as seen by press cartoonists.
Launched on 24 February 2022, Russia's full-scale invasion of Ukraine was supposed to take only a fortnight. So far, it has lasted a whole year. A year of fierce Ukrainian resistance and poorly coordinated Russian assaults, as well as tens of thousands of deaths on both sides, catastrophic environmental damage and the disgrace of an entire country - this is the dire landscape produced by Russian aggression in Ukraine. While the involvement of the United States and Europe (especially the supply of resources and heavy weapons) and the growing vulnerability of Vladimir Putin suggest a Ukrainian victory, there are still many unknown factors, and the war is (very) far from over.
Here is our selection of the best press cartoons on the topic.
Drawings by Emanuele Del Rosso, Marilena Nardi, Vladimir Kazanevsky, Tjeerd Royaards, Ahmad Rahma, Paolo Calleri, Maarten Wolterink, Enrico Bertuccioli, Christo Kormanitski, Andrea Arroyo, Carlos Amorim, Tom Janssen.
Voxeurop: https://voxeurop.eu/en/one-year-of-the-war-in-ukraine-as-seen-by-press-cartoonists/
AU BOUT DU CRAYON : EXILÉS, MIGRANTS, RÉFUGIÉS - CARICATURES, DESSINS DE PRESSE ET LIBERTÉ D’EXPRESSION – EXPOSITION ITINÉRANTE
Entre réalité et émotion, entre murs et barbelés, où est notre humanisme ? 252 dessinateurs de presse, caricaturistes, se sont exprimés et nous ont envoyé les dessins que nous présentons dans l’exposition « Au bout du crayon, Exilés, Migrants, Réfugiés : Caricatures, dessins de presse et liberté d’expression. » Cette exposition voyagera en France, mais aussi en Europe et dans tous les pays du monde qui l’accueilleront. Une exposition itinérante réunissant 252 dessinateurs et dessinatrices de presse du monde entier.
Cette exposition est bilingue Français / Anglais. Elle est constituée de 33 kakémonos en tissus de 1 mètre de large sur 2 mètres de haut. Chacun d’eux porte sur un thème. L’exposition s’accompagne d’un diaporama en boucle qui présente un dessin de l’ensemble des caricaturistes.
VERNISSAGE : MARDI 7 MARS À 18h30. EXPOSITION DU 14 AU 18 MARS.
Horaires d'ouverture de la Médiathèque.
Tout public.
Entrée libre et gratuite.
Pour en savoir plus sur notre exposition : https://lecrayon.net/au-bout-du-crayon-exiles-migrants-refugiescaricatures-dessins-de-presse-et-liberte-dexpression-exposition-itinerante-2/
Cartoon Home Network International
Cartoon Home Network International is an online platform working together professional editorial cartoonists from worldwide.
Freedom of expression was and will stay the compass of our work and the line of editing our international online platform. By you, we grow up and with you, we continue.
In 2016, award-winning editorial cartoonist Fadi Abou Hassan (Norway, Palestine, Syria) promoted the Cartoon Home Network International Facebook page. Fadi’s work has been published by Al-Quds Alarabi Newspaper, aljazeera.net, France 24, Courrier International, Le Monde, Al -Seyassah Newspaper, Cartoon Movement, Pagina21, Egypt Cartoon, and many others.
His cartoons have been exhibited in different cities, like Drøbak, Oslo, Tromsø, Amsterdam, The Hague, Paris, Trento, Ramallah, Sana’a, Cairo, Lisbon, Madrid, Meknes, Damascus, Tokyo, Rome, Doha, etc. In 2018 he won the third prize in the World Press Cartoon, (One of the most important international cartoon festivals in the world), in Portugal and he won the Third Prize in the political cartoons contest ‘Libex 2018 in Italy and many other prizes. Fadi is also a member of Cartooning for Peace.
We are the voice of the voiceless and tribune for those who have no one worldwideCartoon Movement Wins Evens Journalism Prize 2019
We are incredibly honored to be the recipient of the Evens Journalism Prize 2019, a biennial prize that aims to reward a journalist or organization whose work contributes highly to making Europe more comprehensive and accessible to a broad audience. You can read more about the Evens Foundation, the organization behind this award here.
From the jury report:
The jury reason for this year’s main prize resides in the capability of Cartoon Movement to develop a distinctive and remarkable journalistic format with a high potential for a far-reaching impact in an era where global collaborations are producing the most ground-breaking outcomes. The cooperation facilitated by this platform, allows a broad perspective on multiple pressing issues, besides an exceptional reporting quality. Diversity is guaranteed by the multitude of nationalities represented by their contributors but also by the variety of approaches and styles. Cartoon Movement supports the creation of new independent voices while stressing the importance of democratic values and ethics in the field of journalism. It knowledgeably promotes the use of humour to highlight the contradictions underlying current social concerns. Furthermore, the adoption of cartoons produces a democratising effect that makes news display immediate and accessible, irrespective of language boundaries. Thanks to these distinguishing features, Cartoon Movement positively responds to the Evens Foundation’s objective to award a laureate who could make Europe more comprehensible to a vast audience.
Cartoon Movement's editor-in-chief Tjeerd Royaards held a speech at the Difference Day gala dinner on 2 May 2019 at BOZAR–Centre for Fine Arts in Brussels:
Good evening,
It is a true honor for me to be here tonight, to accept the Evens Journalism Prize for 2019 on behalf of Cartoon Movement. And it feels like an award not so much for Cartoon Movement, but more an award for the cartoonists that make up our community, and who share their perspectives on the world via our platform each day.
On their behalf, I would like to extend my thanks to the Evens Foundation and to the distinguished jury for this recognition and appreciation of our work.
This award means a lot to me for two reasons.
First, it's very special because this is a journalism award. Ever since the inception of Cartoon Movement in 2010, our basic guiding principle has been that editorial cartoons are a form of journalism, and an important form at that.
Cartoonists are not always seen that way. Obviously they do not meet the journalistic requirement of objectivity. But besides that obvious point, the fact that we make our journalism by basically drawing funny pictures means that cartoonists are not always considered to be serious media professionals. Add to this the fact that cartoonists often work alone at home or in their studio, and not in a newsroom with their journalistic colleagues, and we can see why they are something of a special breed.
And although I agree that we cartoonists are somewhat of a special category, I also very much belief that editorial cartoonists are journalists. Because I believe that what we do is fundamental to journalism. For me, journalism is about pointing out the wrongs of society, about exposing corruption and power abuse, and about keeping a check on power by letting those in power know they are being watched. It's about making people think about important issues by providing them with different perspectives. And its about ensuring a thriving public debate.
All these goals cartoons accomplish. And in doing so, cartoonists adhere to most of the principles that other journalists use. Excluding the aforementioned objectivity, which Cartoon Movement has sought to circumvent by presenting a multitude of clearly subjective perspectives.
But we try to get the facts we base a cartoon on straight just like 'normal' journalists. And we have a strong ethical framework. This is especially important when making satire. Who do we mock and why do we make fun of them? The guiding principle being that satire should punch up, attack those in power, and not down towards the weak and powerless.
So Cartoon Movement has always strived to be a journalistic platform and to be recognized and honored as such is amazing!
The second reason this award is so important to me is because it recognizes the importance and impact that cartoons have.
The image you see on the screens, with a cartoonist's finger on the trigger, which is shaped like a pencil, was chosen to illustrate this point. Cartoons have impact because they can make their point immediately, within one to three seconds. This is especially true for cartoons that are wordless, which are the ones we often publish on Cartoon Movement. A good cartoon evokes an immediate emotional response: laughter, shock, anger, sadness. This is what makes visuals so powerful. It turns the pencil that cartoonists wield into a weapon. A weapon that is, if you will forgive me the cliche, mightier than the sword.
And the pencil is also seen this way - as a weapon - by those who do not appreciate satire, most often because they fear it will undermine their power. Dictators and extremists alike fear cartoons. They fear their power to open people's minds to new perspectives, and to make people think beyond the dogmas those in power have instilled in them.
The attack on Charlie Hebdo in 2015 is a testimony to this, but it is not the only one. The Press Freedom Index has shown for the last years that press freedom is in decline. And cartoonists are always among the first to fall victim to declining liberty, by censorship, harassment, arrest or worse.
This week, Turkish cartoonist Musa Kart was sent back to jail for one year and 16 days. Although his conviction was for another supposed crime, many believe, as do I, that the true reason for his incarceration is his critical pencil. We all know Mr. Erdogan isn't too fond of criticism.
And across the ocean, in Nicaragua, cartoonist Pedro X. Molina is in hiding as he continues to expose the wrongdoings of the regime of Daniel Ortega. At the end of last year, the newsroom of the Nicaraguan paper Confidential, was raided and destroyed by government troops, but Pedro and his colleagues refuse to give up.
It is these people we want to support at Cartoon Movement; to give them and other cartoonists a voice so they can continue to have an impact.
And on this eve of World Press Freedom Day, it is to them that I would like to dedicate this award. To all those cartoonists around the world that are in danger because of what they do, but continue to do it regardless. Because they believe that what they do matters.
Thank you.
TOTO' Cartoons
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